Solstice
Ancient Traditions
Roots of Customs
Liiving Off the Grid

Holding the Light

by Mary DeDanan

Oak Tree at Sunset © John Heseltine/CORBIS
The sun sets behind an oak tree in Shropshire, England.
The holly and ivy
when they are both full grown
of all the trees that grow in the wood
the holly bears the crown.

The rising of the sun
and the running of the deer
And the Lady bore her sunny babe
in the dark of the year.

--Traditional Carol

December 21,
Winter Solstice, 2001

I wake early, dreaming of the sunrise: a bright, huge sun rising in the southeast. It's cold, but my bed is plushy and warm, the cats cuddled close and sleeping. Outside my window the great gray storm overhead is quiet now, and the sky is edged all around its rim with brilliant light blue. Did I miss the dawn? This is midwinter, dawn is as late as it will ever be. And I have dreamed of sunrise. I stretch, pull on cold clothes, shiver, and get up, finding shoes and coat. The cats look at me askance, and, sensible creatures, go back to sleep.

Outside is no colder than inside, only fresher. I live in the country, just off the high ridge. It's only a few steps up the drive, past the gravel road, and to a spot where I can see miles eastward: rows and ripples of distant hills stretch out before me. I think of the undulating shapes of giant snakes and dragons, made of rock and soil and oak trees. All around me is the sound of water: creeks full and trees dripping, little rills in every hollow. It is my first winter here, first time I have come out to see the solstice sunrise, so I have only a good guess where to look on the horizon. Low gray clouds hang over most the sky, except that same brilliant blue band along the edge. Best guess is that the sun is behind that mountain in the southeast, still hung with clouds. I will see no solstice sunrise this year. But the distant hills do see it. Through a trick of the hesitant cloud cover and the new sun, these dragon hills are now radiant in the first yellow light, alive and bright and jeweled with the water that fell all night.

I stand for a while, singing a little chant I made to the sacred Sun. I walk up the road to see if I can see the sun rising from there. No. I stop at the shared garden, admiring the work we've done recently, see how much more there is to do. One of the old roses has a few buds, unexpected in the cold. This morning one bud is in full bloom, crowded with soft apricot petals, scentless in the cold and rain. I pick it to bring in.

Inside, I put on tea and oatmeal, then light all my candles and olive oil lamps. I eat breakfast in front of my home altar, blazing with fire. In the soft gray morning light, I wait for the moment of winter solstice: 11:21 a.m., says my almanac. It's the annual, solar equivalent of the dark moon, the time that shifts from one flow to another. The turning of the solar tide. The darkest time of the year, when night comes early and stays late like an over-familiar guest.

Solstice means "sun stand still." If you watch your east and west horizons at the time of either summer or winter solstice, the rising and setting points are the same for maybe two weeks. What changes, of course, is the sun's apparent journey to the lowest part of the sky (south) in winter, or highest (north) in summer. Astronomers assure us that this is because the earth is tilted on its axis as it makes its annual circuit of the sun. Our ancestors, however, knew that the "real" reason was that the Sun God or Goddess (depending on your culture and time) was undergoing a whopper of a transformation. The farther north you go (in this hemisphere), the more marked this change is. I have a friend from Finland, practically the top of the world, who tells me that in midwinter, it's dark for over 30 days at a stretch, with the sun just barely showing a hour or two a day. These are people who take their solstice celebrations seriously. Near the equator, the light changes are much less, but the seasons change nonetheless with rain or dryness, and the corresponding availability of food. Here where I live, in northern California, the native Pomo people called the solstices "starting back." A honored member of the tribe was set to watch the place of the sun's rising over a particular hill. When it rose from the same place four days in a row, they knew it was the solstice.

Humans crave the sunlight, and dislike (if not fear) the darkness. Perhaps if the dark were not also so cold ... and in this part of the world, so wet. Late last night, as I was going to bed, the storm (our usual four-five inches in a night, with hail, thunder, and high winds) suddenly stopped. The sky cleared for a time. The stars, as I saw from my bed-window, were glorious. Fertile, pulsating darkness, radiant with unimaginable fire and life. How could I feel lonely?

Loneliness had been with me all evening, for I had planned to go down to the city and join my friends and Pagan community in celebrating the Solstice. The storm, the state of my tires, and prudence kept me home. But I thought of them all evening, wistfully. They would be on the beach for sunset with a huge bonfire, drumming and chanting, the braver ones dipping into the freezing, heaving ocean as purification. Even if it poured rain, the die-hards would carry on. Afterward, there were all-night vigil parties, symbolically midwiving the rebirth of the Sun/Son, with stories and gossip and laughter, in warm houses with warm friends. Then drumming up the sunrise at a hilltop in a city park. I hadn't been to the city ceremonies in several years, actually, since I moved out to west Sonoma. I'd wanted to be with my old friends this year. But there will be another celebration in a few days, closer to home and indoors in a big hall. Not the intimate connections, but fun -- and the weather forecast is better. I'll go to that one.

Mask Representing Sun Nuxalk, artist unknown wood, copper, paint Collection of American Museum of Natural History
The modern Pagan seasonal myth, a poetic aggregate of European/Middle Eastern stories, is that the Goddess of the Earth gives birth to the Sun child on this, the longest night. The sunrise is her birth moment. There are other myths. Among a number of ancient people, the sun itself is the Goddess. This time of year the Japanese Shinto tell of Amaterasu, the sun deity, who retreated into a cave and refused to come out because of the bad behavior of her brother, who is dark chaos. She is coaxed back into the world by the merriment and sensual dancing of the six million other gods who gathered around her cave. The Native American tribes of the Northwest told variants of a story where the light has been hidden away, and the world lives in total darkness. The trickster Raven steals the sun and, delighted, flies off to bring it into the world. In all the stories, it's acknowledged that the sun brings life. In the fires of our candles and hearths and kitchens are sparks of life too, tiny bits of the sun itself, each flame hinting at swirls and clusters of stars and the fire of the cosmos. We call fire one of the sacred elements: essential. We light our fires, big and small, as sympathetic magic, because we are part of the turning. Respectfully and gratefully, we honor its light, warmth, and beauty.

Sitting here at my altar, solstice morning, waiting for the moment of turning, I am utterly aware of and thankful for the flames gracefully burning before me. This last month I have a new understanding of what fire, and the gradual return of longer, warmer days, must have meant to my ancestors, stretched out many millennia behind me. For here in my newly built, not-quite-completed yurt, during my first winter, I have no heat. A long story, but I ran out of money months ago, and it's been very slow earning new cash. So while I'm planning and dreaming of the wood-burning stove to come, I'm bundling up in four, five, or six layers, and keeping a hot water bottle on my hands and feet. I've almost gotten used to an average indoor temperature of 40 to 50 degrees (almost). Blessedly, I do have a propane cooking stove, so I can make hot food. I'm completely off the power grid out here in the boonies, with my own solar and wind power. But the solar panels don't put out much in gray winter, and the wind turbine has been disappointing so far -- I think we may have put it in the wrong place. And now my back-up generator is broken, and I'm trying to find the money to take it into the shop. This all means that I must be utterly frugal with the "other fire," my electricity. One lamp on at night. Minimal computer and stereo, if any.

So lots of candles and olive oil lamps. I'm a candle snob, since learning that the common, normal candle is a petroleum product (paraffin wax) and made much worse if its artificially scented. We're talking neurotoxins in one's air intake. So I'm experimenting with homemade olive oil lamps: six little floater gizmos holding the wicks in six votive glasses, filled and refilled with clear green oil. The little lamps are the workhorses, used every night, and often much of the day. The candles in my house are of vegie wax or beeswax -- expensive -- thus saved for special occasions. This is a special occasion.

I sit before my blazing altar, admiring this fire festival in miniature, swaddled in layers of silk and wool, a hot water bottle on my feet, a cup of hot cocoa in hand, blessed by the dancing flames. A milky sun is high now, shining in the skylight dome. I splurge, turn on the stereo, and play a favorite CD. As Solstice celebrations go, it may not be much. But I'm deeply grateful and content.

I've been an active, inquiring Pagan for over nine years, and was aware of the solstices for many years before that, wanting to celebrate them without knowing how. But the holiday I grew up with was, of course, Christmas, both Christian and commercial. After years of reading and reviving and reworking and inventing, I'm amazed still at how much Christmas owes to its Pagan roots. Early Christian patriarchs purposefully created a religion by recycling old myths created by the very heathens they aimed to convert. (My sainted mother, very Catholic, took umbrage at the very idea that her beloved Christian stories were not literal truth. My apologies to her and any other believers, but this is traceable, historical fact.)

Isis
© Roger Wood/CORBIS
There are many myths from Europe and western Asia of Goddesses with divine Sons, lads who sacrificially die and are reborn each year. The notion of virgin birth was not that unusual. Notes scholar Marina Warner, "Pythogoras, Plato, Alexander were all believed to be born of woman by the power of a holy spirit. It became the commonplace claim of a spiritual leader." The closest parallel to the familiar Christian myth is Egyptian, with the mother Goddess Isis and her boy Horus, later morphed to Kore the Maiden and Aeon. Read what Christian writer Epiphanius wrote disparagingly (with my annotations) of an annual festival at Alexandria in the fourth century:

"After they have kept all-night vigil with songs and music, chanting to their idol, when the vigil is over, at cockcrow, they descend with lights into an underground crypt [womb of the Goddess], and carry up a wooden image lying naked on a litter, with the seal of a cross made in gold on its forehead [the equal-armed solar cross], and on either hand two similar seals, and on either knee two others, all five seals being similarly made in gold. And they carry round the image itself, circumambulating seven times the innermost temple, to the accompaniment of pipes, tabors, and hymns, and with merry-making they carry it down again underground. And if they are asked the meaning of this mystery, they answer: 'Today at this hour the Maiden that is, the Virgin gave birth to the Aeon [Time].' "

One can't help but notice that the early Church swiped the plotline. Then there's the matter of what day. Nothing in the New Testament specifies the date of Jesus' birth. But keep in mind that the Christian cult spread first throughout the Roman Empire (real estate that reached from Britain to Mesopotamia), and the new Christianity was thus firmly tied to Roman tradition. In the year 312 CE, Emperor Constantine himself converted (surely the PR coup of all time), and in 375 CE, flush with new influence, the Church fathers fiddled with the details of their myths. The birth of Christ was deliberately assigned to December 25. With that one date, the patriarchs were aiming for a triple target: the winter solstice (the date was miscalculated), the Roman festival of Saturnalia (a week-long holiday of mischief, merry-making, feasting, and gift-giving -- the Romans knew how to throw a party), and the proclaimed birthday, December 25, of the Roman solar hero-god Mithras (his mom was the Persian goddess Atagartis and his birth witnessed by shepherds). Mithras, known as Solis Invictus, the Unconquered Sun, was by this time a big to-do amongst average Romans, chief rival to Christianity. With this rarely mentioned context, it's clear that the Church pulled off a great marketing job: they repackaged and put their own spin on what everyone was already doing.

Note that the Church allowed the merrymaking aspects to continue, or at least tolerated them. Centuries later, Puritans of England, certain that anything fun must be evil, tried to turn Christmas into a solemn affair, a fast day instead of a feast day, and actually had partial success from 1644 to 1656 (at which point, of course, they lost the whole political shebang, and no wonder). Retreating to the American wilderness, Puritans tried to ban Christmas cheer throughout the seventeenth century, with even less success.

Moving on to other myths, consider that somewhat different icon of Christmas, Santa Claus. I'm grateful that I don't have a TV, so I don't have to deal with all those fake, hard-sell Santas in my face. But when I consider Santa's origins, I confess that I soften to the old fart. He is, in fact, an elf, an inhabitant of the faery realm, with hints of shamanic ancestry. Consider that he dwells in the far north, the region of magic starry darkness, and at the North Pole, the world axis. He's dressed in red, and all old European lore agrees that red and green are the colors of the Otherworld. He flies through the air in standard shamanic fashion, in the company of reindeer, sacred beasts from way back -- think cave paintings. At some point in the misty past, people may have had in mind the very common image of the Horned God of old Europe, who wore antlers himself. Santa travels the world all in one night, so is a time-shifter in common with all true faery folk. He uses chimneys to moves up and down between the worlds. His sack supplies goodies for all, much like the mythological Celtic cauldrons which supply unlimited abundance, or the Finnish sampo, a magical mill that can endlessly grind out luscious food and shining coins. He can eat astonishing amounts of milk and cookies, recalling the Irish Dagda, "the good god," a pre-Celtic agricultural deity (and one of the earliest keepers of the cauldron of plenty) who liked to stuff himself, resulting in a comically huge belly. Santa's gifts are not only practical and fun, but are at times reminiscent of the healing, prophesy, and wisdom that tribal shamans mediated for their people. Keep all that in mind next time Santa invites you to sit in his lap.

There are other faery tradition associated with Christmas and winter solstice, particularly from the Scandinavian lands, and countries like Scotland with strong Norse influence. In tale after uncanny tale, winter solstice is when the veil between worlds is thinnest and magic occurs (in contrast, Celtic tradition holds that those times are Halloween and May Day). The season's long darkness may be the key -- for instance, the Shetland Island faery folk, the Trows, are only about in the dark. If daylight catches them, they must stay out until the next evening. They dress in gray, and old songs still mention such figures as "the Gray Man." Of course, if your faeries are most active at winter, what better time to propitiate them? My Finnish friend Kari tells me of the standard Christmas feast when he was a small boy. He could smell the delicious preparations all day, and couldn't wait to eat. But when it was all finally laid on the table, beautiful and hot, the dining door was firmly shut and no one allowed in for some time -- "forever!" he reports. By tradition, still alive in the 1950s, the Tontuu had first dibs on the feast. Tontuu are helpful spirits of house and farm, fond of red stockings and green or gray jackets. If pleased with their share of the Christmas feast, they'll help out all year long. Kari's parents strictly observed the rules, until they came to America.

The Christmas tree has equally venerable roots (if you'll pardon the pun). The World Tree is found in many cultures, first recorded in Sumeria five thousand years ago as the Hullupu tree (which evolved into the Tree of Knowledge of the garden of Eden). Both the Greeks and the Celts held groves and ancient trees as sacred, with their own spirits. In old Egypt, the date palm and sycamore were trees of the Goddess. Scandinavians had Yggdrasil, the mighty ash tree that held the three worlds. There are stories worldwide of holy trees, myths of humans and deities who became trees, tales of why some trees are evergreen and some deciduous. For centuries, out in the orchards of Celtic countries, farmers and their families walked out to their dormant fruit trees in midwinter with an offering of fine alcoholic cider and sprinkled it over the bark, with spells and prayers to the tree spirit, that the trees might be plentiful next summer. But it is the evergreens -- the pine and fir, the holly and mistletoe -- that carry the mystery of life. From very early times in Europe, evergreens were brought into homes at midwinter, bringing with them their sympathetic magic of life that continues over the cold, dark season. Earliest Yule trees were decorated with fruit and biscuits, and colorful scraps of fabric (which surely meant more in the days when every piece of fabric was made from scratch).

Branches of holly hung on the walls, recalling the story of the Holly King and the Oak King: at the solstices, the two battle for rulership of the year. Every summer solstice, when the tide turns and the sun begins its slow decline, the Holly King triumphs, ruling over the growing dark. And at midwinter, when the sun is reborn and the light begins to return, the Oak King begins his reign, and the holly is cut and hung as sign of his submission.

Portrait of Mother and Child
by Julia Margaret Cameron
© Stapleton Collection/CORBIS
In Gaelic Ireland and Scotland, an even older version of the story is told, where the battle for the year is between the Caillech ("kay-lek"), the "Old Hag," and the young goddess Brigid, and each wins in her turn. Needless to say, the dark time of the year belongs to the Caillech, who swirls in at Samhain ("sah-win," the old name for Halloween), while Brigid gets a toehold back at her feast day, Imbolc, February 1, the beginning of spring, and takes over in full on May Day. Both are pre-Celtic goddesses, but heartily adopted and adapted by the Celts. The Caillech stomps through the land making mountains from the stones she carries in her apron and controlling bad weather. Brigid's worship encompassed all aspects of the mother goddess, as well as healing, wisdom, and the arts. A strong indication of her importance is that the Church adopted her as St. Brigid, while the common people called her midwife to Mary in that mythical manger, and nurse to baby Jesus.

Another goddess of the season, no doubt related to the Caillech, is Mother Holle (her name comes from the sacred holly) of Germany. Mother Holle creates the snow storms every time she shakes out her feather quilt, and stories told of her relate how she rewards good children, and punishes rotten brats (sound familiar?).

My favorite evergreen, mistletoe, is a plant that is neither this nor that-- it grows not from soil, nor from air, it's not a shrub, not a tree -- it is, in other words, "other," outside the boundaries. An ancient charm for fertility and ingredient of love potions, it was once worn on a ribbon around the neck by women who wanted to conceive. It's lost none of its magic, obviously.

Stonehenge at the Solstice
© Roger Ressmeyer/CORBIS
For winter solstice observances, we can go back even farther in history to the Neolithic and Bronze Ages, times of the great stone builders of northern Europe, roughly 4000 to 1500 BCE. Their rituals are lost to us, but simple or grandly awesome, there are hundreds of these monuments and circles surviving, dotted across the landscape. All investigated have been found to have significant solar and lunar alignments to one or more of the eight old holidays: the solstices, the equinoxes, or the cross-quarter days. At New Grange in Ireland (built around 3200 BCE by a pre-Celtic and evidently Goddess-worshipping people), an opening over the main entrance is so perfectly situated that the first rays of the rising winter solstice sun enter the deepest interior of the mound, shining fully on the ceremonial stone basin and briefly illuminating spiral and sun carvings on the stone wall. (The effect is now replicated daily for tourists.) Stonehenge may be most famous for its summer solstice sunrise over the Heel Stone, but there is also a midwinter sunset alignment, framed by the biggest trilithon stones in the center. In our own New Hampshire (yes, that's right) is an astonishing place called "America's Stonehenge," about 4000 years old, and undoubtedly built by ancient European settlers. There, too, the standing stones are aligned to all eight solar holidays, including the winter solstice. Native people throughout the Americas also marked the solstices, from western cave petroglyphs that receive a spotlight of sunlight only on winter solstice, to Incan temples.

And these are only the examples I know of, and can relate from the top of my head. There are many more, in many cultures. Modern Pagans have a saying, what is remembered, lives. So I sit before my few but lively flames, on a Winter Solstice day, remembering, writing, drinking tea, trying to stay warm. It's raining again. The Moment, 11:21 a.m, comes and goes. And so the cosmic cycle turns. Modern calendars call this the first day of winter, but who are they kidding? For uncounted centuries before, this is the midwinter (in the old reckoning, winter begins at Halloween and doesn't really give up until May Day). I admit that I like the old system of time better than the one I was born to, and that is all around me, clicking and ticking and worrying away. The old timekeeping makes more sense to me, particularly when living out in a remote area, where I see the daily passages of sun and moon and stars, where I garden for food and wildcraft for mushrooms, herbs, and berries, and judiciously thin the woods for fuel (trusting that my future wood-burning stove will appear). So I'm content with the long nights, and I wait for the moments when the wet skies clear to reveal the awesome starry veils of the Universe. The rain falling now renews this land, brings back the salmon, and eventually will return as underground spring water that keeps us alive in the dry hot summer. It's midwinter. I have watched the skies, and have faith that the sun will grow strong again. And in my candles and my laughter and my remembrances, I am a part of it all.



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